Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
The Largest Cork Noticeboard for a Full Working Wall
Give a busy studio the biggest natural pinning surface there is, and the wall stops limiting what can go up. This is the largest cork board Displaysense makes, a single sweep of natural cork broad enough to hold a whole exhibition, a complete project or an entire group's work side by side with room to spare. Cork's habit of closing its own pin holes means a surface this size can be torn down and rebuilt as often as the work demands without ever looking punished, where a fabric board would slowly show every pin. The warm, flecked face brings a softer, more natural note to a big wall than paint or print, and a slim satin silver frame keeps all that scale looking considered. Best suited for design studios, galleries and art colleges where a large wall is pinned and re-pinned constantly and still has to look the part. At a scale this large, a surface that shrugs off endless change is what keeps the wall looking cared for.
Why Studios and Galleries Choose This Extra-Large Cork Noticeboard
- The Biggest Cork Wall in the Range: Broad enough to fill a long wall in one piece, this board hands a studio or gallery a complete natural surface for a whole show or project at once, instead of breaking the work across a line of smaller boards with gaps running between them.
- A Whole Exhibition on One Face: Laid across a single continuous surface, a full display reads as one piece with no frame cutting through the middle, so the eye travels the wall end to end and nothing slips out of view in a join between two separate panels.
- Closes Its Own Pin Holes: Push a pin into the natural cork and it takes it cleanly, then the surface eases shut behind it once it is pulled, so a face changed day after day stays even and unmarked where a woven board would gather every puncture ever made in it.
- A Pin Held Full-Depth: Dense cork grips the whole shaft of a pin rather than pinching at its tip, so cards, photographs and a heavier laminated sheet all hang straight and stay put, steady through the constant handling a working wall sees across a day.
- A Warm, Renewable Surface: Stripped from the bark of living oak that simply grows it back, cork is a naturally renewable face as well as a hard-wearing one, lending a studio or gallery the warmth of a real material in place of a printed or plastic-faced board.
- Framed Without the Bulk: A slim satin anodised aluminium edge draws a crisp silver line around the warm cork centre and holds a panel this large flat, its low sheen keeping bright gallery or studio lighting from glaring back off the surface.
Where This Oversized Cork Display Board Proves Its Worth
| Large Design and Creative Studios | Working walls of mood boards, sketches and reference get pinned, pulled and reordered all day in a busy studio, and a surface this large lets a whole team lay a project out in full while the cork heals over every hole rather than filling with the marks live work would leave. |
| Galleries and Exhibition Spaces | Interpretation, visitor notes and changing displays sit comfortably on a warm cork wall in a gallery, the natural surface settling in beside the exhibits, the slim silver frame staying neat, and the sheer width carrying a full show without crowding the room. |
| Art Colleges and University Studios | Crit walls and project displays in an art college are pinned and stripped through every term, and a board this large shows a whole cohort's work together, the self-healing cork taking that heavy, constant turnover without the surface ever looking worn. |
| Makerspaces and Workshops | Plans, safety notes and reference pin up and come down constantly in a makerspace or workshop, and the dense cork grips a pin firmly through it all, holding everything from a wiring diagram to a parts list flat and steady above a busy bench. |
| Museums and Visitor Centres | Notices, trails and seasonal information go up on the cork board in a museum or visitor centre on a warm, understated surface, the natural face sitting quietly alongside displays and the large area holding a full set of public information in one place. |
| Large Staff Rooms and Common Rooms | Bigger teams fill a staff room or common room wall quickly, and a wide cork board gathers a full week of rotas, notices and social news into one warm, readable place that feels less corporate than a coloured board and never marks under constant pinning. |
Need a Colour, or Less Wall?
After a colour and a staple-friendly face, or a more compact board? This size also comes as a red felt noticeboard, and the cork runs in a smaller cork noticeboard for a tighter wall. Call 01279 460460 or describe the space through the contact page and we will help you match surface to size.
Most boards built at this size are a flat field of paint or woven fabric, and this one is a different thing entirely, a whole wall of natural cork. That matters first for how it looks, because the warm, lightly flecked surface brings a softness to a large expanse that a manufactured board never quite manages, giving a studio or gallery a wall with character of its own rather than a blank slab to fill. It matters just as much for how it wears, since cork is stripped from the bark of living oak that simply grows it back, making the surface renewable as well as hard-wearing. A real material of this kind settles into a space rather than merely ageing in it, and on a wall people stand close to and handle all day, that natural quality is felt as much as seen. For a space whose identity rests on materials and making, a wall that is itself a real material rather than a printed imitation belongs in a way a manufactured board never quite could.
What lets a surface this large survive constant use is cork's knack of closing its own pin holes. The grain is soft and full of air, so a pin spreads it apart on the way in, and once the pin is gone the grain eases back over the gap and leaves little trace of where it sat. Across a season of changing shows or a full term of crits, that keeps a heavily worked face looking whole instead of slowly filling with the punctures a stiffer board would collect. It is the single reason a cork wall of this scale still looks deliberate after a year of hard use, where a felt or printed surface of the same age has begun to look tired and pock-marked. The bigger the board, the more that difference tells, since there is simply more surface to mark.
In daily use the board asks for nothing beyond a pot of pins. Dense cork grips a pin down its full depth rather than pinching at the tip alone, so a heavy laminated sheet hangs dead straight and a row of small cards holds its line instead of drifting down the wall as the day wears on. Each pin lifts away cleanly by hand when a display moves on, which keeps a wide, fast-changing surface quick to clear and rebuild between projects. No tape, adhesive pad or tool comes into it at any stage, so a wall shared across a whole studio stays simple for anyone to keep current, with a pot of pins on a shelf the only thing it ever needs restocking.
Around that warm centre runs a slim satin anodised aluminium frame, there to hold a broad panel flat and draw a crisp edge rather than to draw the eye. Anodising hardens the silver into the metal itself, so a corner clipped while the board is carried or hung will not flake or fade to a dull grey over time. Its low sheen is deliberate too, settling gallery and studio lighting on the frame instead of letting it glance off into the work on show. The board mounts through concealed corner fittings tucked under snap-on caps, leaving the cork face unbroken by visible screws once it is squared away on the wall, and everything needed to fix it travels in the box.
What Ships with This Board
- 1 x large natural cork noticeboard, self-healing cork display face set in a satin silver anodised aluminium frame
- 1 x wall fixing kit, corner fixings concealed beneath snap-on covers
Fitting Out a Studio or Gallery?
Covering several walls or a long run at once? The same frame takes a felt face in red, blue, green or grey, and the cork runs in further sizes, ready to leave together on one order. Call 01279 460460 or list what the space needs on the contact page and the team will pull it together.
Full technical specification for the 2400mm x 1200mm natural cork noticeboard with its satin anodised aluminium frame. The largest cork board in the range, with a self-healing surface made for push pins, concealed corner fixings beneath snap-on covers and a complete wall fixing kit as standard, mounting in portrait or landscape for a warm, hard-wearing indoor display across large design studios, galleries and exhibition spaces, art colleges, makerspaces and museums.
| Specification | Detail | What This Means for You |
|---|---|---|
| Surface | Natural self-healing cork | Cork takes a push pin anywhere and closes the hole as it comes out, so a large board changed daily keeps an even face instead of marking over time. |
| Board Size | 2400mm x 1200mm | The largest cork board in the range gives a complete working wall that holds a whole show or project in one piece rather than across several boards. |
| Frame | Satin anodised aluminium | The anodised edge resists scratches, corrosion and fingerprints and holds a wide panel flat, while the satin finish keeps glare off the cork. |
| Frame Colour | Satin silver | A crisp silver border frames the warm natural cork and keeps a large board looking modern and tidy in studios and galleries. |
| Orientation | Portrait or landscape | The rectangular board hangs tall or wide, so it fits a long studio wall, a gallery run or the space above a workbench. |
| Display Method | Push pins | Push pins press into the dense cork and hold cards, photos and notes firmly, lifting out cleanly so a display changes in seconds by hand. |
| Fixings | Concealed corner fixings | Hidden corner fittings under snap-on covers mount the board with no visible screws, and the wall fixing kit is supplied in the box. |
| Material | Natural cork | A renewable, naturally sourced surface that warms a large wall and resists marking through constant pinning, set in a recyclable aluminium frame. |
| Pin Holding | Full-depth grip | Dense cork grips the whole shaft of a pin, so heavier laminated sheets hang straight and stay put rather than balancing on one shallow point. |
| Environment | Indoor use | Made for interior walls in studios, galleries and colleges, away from damp and weather that would spoil natural cork over time. |
| Surface Life | Self-renewing | Built for repeated pinning, the cork closes each hole as the pin is removed, so the face stays even through years of heavy display use. |
| Returns | 28 days | Send any unused board back within 28 days in its original packaging for a simple, straightforward refund with no fuss or restocking charge. |
Free delivery on every order, no minimum spend
UK Mainland standard delivery included on everything we sell.
Standard
Free
Always included, no minimum order
Express
£9.95
Express options shown at checkout where available
Lead time
2 to 3 days
Working days, UK Mainland
Returns
28 days
Original condition and packaging
Good to know
- Orders before 4pm typically ship the same day
- Tracking email sent on dispatch
- Ground-floor, accessible delivery point
Returns must be unused and in original packaging. Full delivery information · Returns policy
Frequently Asked Questions About This Cork Noticeboard
Q: What is the best large cork noticeboard for a design studio?
A: The 2400 x 1200mm cork board is the largest Displaysense makes, which suits a working studio wall. One continuous surface lays a whole project out at once, the self-healing cork takes the constant pinning of live work without marking, and push pins grip firmly in the dense surface.
Q: How does cork close its own pin holes?
A: Cork is built from millions of tiny sealed cells with elastic walls. A pin spreads those cells as it enters, and once it is pulled they flex back toward shape and draw the hole almost shut. Over hundreds of changes the surface stays even and natural-looking rather than collecting visible punctures.
Q: Will a cork board this large stay flat on the wall?
A: Yes. The satin anodised aluminium frame carries the full 2400mm span and holds the cork panel true, so it does not sag or bow along its length. Anodising grows the finish into the metal, so a knocked corner stays sound, and the rigid edge keeps a large board square for years of use.
Q: How are notices fixed to this cork noticeboard?
A: Pins are all that is needed. Pushed into the dense cork they hold cards, photos and laminated sheets firmly along their full depth, then lift out cleanly by hand. A wide display can be rearranged in moments with nothing but a pot of pins, and no tools, tape or adhesive at any point.
Q: Is this cork board suitable for a gallery or exhibition space?
A: Yes. Galleries and exhibition spaces use it for interpretation, visitor notes and changing displays, and the warm natural surface sits quietly beside the exhibits. Its width carries a full show in one piece, while the slim silver frame keeps a large board neat without pulling the eye from the work.
Q: Can the board be mounted portrait or landscape?
A: Yes, either way. As a plain rectangle the cork board shows the same display upright or on its side, so the wall sets the orientation. Landscape runs a long display along a studio or gallery wall, while portrait fits a tall, narrow stretch, and the usable area stays the same.
Q: How big is this cork noticeboard?
A: It measures 2400 x 1200mm, the largest cork board in the range. That gives a studio, gallery or college wall one continuous natural surface for a full project or show, rather than several smaller boards with gaps between them. At this size two people will find it easiest to lift and position.
Q: Should I choose this cork board or the red felt board at this size?
A: Both are 2400 x 1200mm in the same satin aluminium frame, so it is a question of surface. NBA1224C in cork heals over its pin holes and suits a wall re-pinned constantly or a space that wants a warm, natural face. The red felt NBA1224R adds staple-holding and a bold colour for high-visibility notices. Choose cork for heavy pinning, felt for staples and impact.
Q: Why pick cork over a felt surface for a busy display wall?
A: Cork repairs itself and felt does not. A pin hole in cork eases shut as the pin is pulled, so the face keeps looking fresh however often a display turns over, while felt slowly records each pin. Cork also grips a pin along its full depth and lends a large wall a warmer, more natural character than a flat colour.
Q: Is the cork hard-wearing enough for years of heavy use?
A: Yes, in normal indoor use. Self-healing cork is built for repeated pinning, closing each hole as the pin leaves so even a constantly worked wall keeps an even face for years. Kept indoors and away from damp, both the cork surface and the satin aluminium frame hold their look for the long term.
Q: Does this cork noticeboard come with free UK delivery?
A: Yes, and there is no minimum order. Delivery to the UK mainland is free, with 28 days to return anything unused for a clean refund. Displaysense has supplied studios, galleries and colleges across the UK as a display specialist since 1978.
Q: Can I get this board in other surfaces and sizes?
A: Yes. At 2400 x 1200mm the same frame holds a felt face in red, blue, green or grey, and natural cork runs in other sizes from 900 x 600mm upward. Every board shares the satin aluminium frame, so cork, felt and different sizes can be mixed across one wall or a whole space.
Noticeboard Knowledge Hub
A large cork board earns its keep when it is matched to a genuinely busy, creative space and the display is kept fresh rather than left to crowd. These Displaysense guides cover choosing the right board for a room, planning display across studios, schools and offices, and siting notices where people actually stop and read them.
Overview
The Largest Cork Noticeboard for a Full Working Wall
Give a busy studio the biggest natural pinning surface there is, and the wall stops limiting what can go up. This is the largest cork board Displaysense makes, a single sweep of natural cork broad enough to hold a whole exhibition, a complete project or an entire group's work side by side with room to spare. Cork's habit of closing its own pin holes means a surface this size can be torn down and rebuilt as often as the work demands without ever looking punished, where a fabric board would slowly show every pin. The warm, flecked face brings a softer, more natural note to a big wall than paint or print, and a slim satin silver frame keeps all that scale looking considered. Best suited for design studios, galleries and art colleges where a large wall is pinned and re-pinned constantly and still has to look the part. At a scale this large, a surface that shrugs off endless change is what keeps the wall looking cared for.
Why Studios and Galleries Choose This Extra-Large Cork Noticeboard
- The Biggest Cork Wall in the Range: Broad enough to fill a long wall in one piece, this board hands a studio or gallery a complete natural surface for a whole show or project at once, instead of breaking the work across a line of smaller boards with gaps running between them.
- A Whole Exhibition on One Face: Laid across a single continuous surface, a full display reads as one piece with no frame cutting through the middle, so the eye travels the wall end to end and nothing slips out of view in a join between two separate panels.
- Closes Its Own Pin Holes: Push a pin into the natural cork and it takes it cleanly, then the surface eases shut behind it once it is pulled, so a face changed day after day stays even and unmarked where a woven board would gather every puncture ever made in it.
- A Pin Held Full-Depth: Dense cork grips the whole shaft of a pin rather than pinching at its tip, so cards, photographs and a heavier laminated sheet all hang straight and stay put, steady through the constant handling a working wall sees across a day.
- A Warm, Renewable Surface: Stripped from the bark of living oak that simply grows it back, cork is a naturally renewable face as well as a hard-wearing one, lending a studio or gallery the warmth of a real material in place of a printed or plastic-faced board.
- Framed Without the Bulk: A slim satin anodised aluminium edge draws a crisp silver line around the warm cork centre and holds a panel this large flat, its low sheen keeping bright gallery or studio lighting from glaring back off the surface.
Where This Oversized Cork Display Board Proves Its Worth
| Large Design and Creative Studios | Working walls of mood boards, sketches and reference get pinned, pulled and reordered all day in a busy studio, and a surface this large lets a whole team lay a project out in full while the cork heals over every hole rather than filling with the marks live work would leave. |
| Galleries and Exhibition Spaces | Interpretation, visitor notes and changing displays sit comfortably on a warm cork wall in a gallery, the natural surface settling in beside the exhibits, the slim silver frame staying neat, and the sheer width carrying a full show without crowding the room. |
| Art Colleges and University Studios | Crit walls and project displays in an art college are pinned and stripped through every term, and a board this large shows a whole cohort's work together, the self-healing cork taking that heavy, constant turnover without the surface ever looking worn. |
| Makerspaces and Workshops | Plans, safety notes and reference pin up and come down constantly in a makerspace or workshop, and the dense cork grips a pin firmly through it all, holding everything from a wiring diagram to a parts list flat and steady above a busy bench. |
| Museums and Visitor Centres | Notices, trails and seasonal information go up on the cork board in a museum or visitor centre on a warm, understated surface, the natural face sitting quietly alongside displays and the large area holding a full set of public information in one place. |
| Large Staff Rooms and Common Rooms | Bigger teams fill a staff room or common room wall quickly, and a wide cork board gathers a full week of rotas, notices and social news into one warm, readable place that feels less corporate than a coloured board and never marks under constant pinning. |
Need a Colour, or Less Wall?
After a colour and a staple-friendly face, or a more compact board? This size also comes as a red felt noticeboard, and the cork runs in a smaller cork noticeboard for a tighter wall. Call 01279 460460 or describe the space through the contact page and we will help you match surface to size.
Description
Most boards built at this size are a flat field of paint or woven fabric, and this one is a different thing entirely, a whole wall of natural cork. That matters first for how it looks, because the warm, lightly flecked surface brings a softness to a large expanse that a manufactured board never quite manages, giving a studio or gallery a wall with character of its own rather than a blank slab to fill. It matters just as much for how it wears, since cork is stripped from the bark of living oak that simply grows it back, making the surface renewable as well as hard-wearing. A real material of this kind settles into a space rather than merely ageing in it, and on a wall people stand close to and handle all day, that natural quality is felt as much as seen. For a space whose identity rests on materials and making, a wall that is itself a real material rather than a printed imitation belongs in a way a manufactured board never quite could.
What lets a surface this large survive constant use is cork's knack of closing its own pin holes. The grain is soft and full of air, so a pin spreads it apart on the way in, and once the pin is gone the grain eases back over the gap and leaves little trace of where it sat. Across a season of changing shows or a full term of crits, that keeps a heavily worked face looking whole instead of slowly filling with the punctures a stiffer board would collect. It is the single reason a cork wall of this scale still looks deliberate after a year of hard use, where a felt or printed surface of the same age has begun to look tired and pock-marked. The bigger the board, the more that difference tells, since there is simply more surface to mark.
In daily use the board asks for nothing beyond a pot of pins. Dense cork grips a pin down its full depth rather than pinching at the tip alone, so a heavy laminated sheet hangs dead straight and a row of small cards holds its line instead of drifting down the wall as the day wears on. Each pin lifts away cleanly by hand when a display moves on, which keeps a wide, fast-changing surface quick to clear and rebuild between projects. No tape, adhesive pad or tool comes into it at any stage, so a wall shared across a whole studio stays simple for anyone to keep current, with a pot of pins on a shelf the only thing it ever needs restocking.
Around that warm centre runs a slim satin anodised aluminium frame, there to hold a broad panel flat and draw a crisp edge rather than to draw the eye. Anodising hardens the silver into the metal itself, so a corner clipped while the board is carried or hung will not flake or fade to a dull grey over time. Its low sheen is deliberate too, settling gallery and studio lighting on the frame instead of letting it glance off into the work on show. The board mounts through concealed corner fittings tucked under snap-on caps, leaving the cork face unbroken by visible screws once it is squared away on the wall, and everything needed to fix it travels in the box.
What Ships with This Board
- 1 x large natural cork noticeboard, self-healing cork display face set in a satin silver anodised aluminium frame
- 1 x wall fixing kit, corner fixings concealed beneath snap-on covers
Fitting Out a Studio or Gallery?
Covering several walls or a long run at once? The same frame takes a felt face in red, blue, green or grey, and the cork runs in further sizes, ready to leave together on one order. Call 01279 460460 or list what the space needs on the contact page and the team will pull it together.
Specifications
Full technical specification for the 2400mm x 1200mm natural cork noticeboard with its satin anodised aluminium frame. The largest cork board in the range, with a self-healing surface made for push pins, concealed corner fixings beneath snap-on covers and a complete wall fixing kit as standard, mounting in portrait or landscape for a warm, hard-wearing indoor display across large design studios, galleries and exhibition spaces, art colleges, makerspaces and museums.
| Specification | Detail | What This Means for You |
|---|---|---|
| Surface | Natural self-healing cork | Cork takes a push pin anywhere and closes the hole as it comes out, so a large board changed daily keeps an even face instead of marking over time. |
| Board Size | 2400mm x 1200mm | The largest cork board in the range gives a complete working wall that holds a whole show or project in one piece rather than across several boards. |
| Frame | Satin anodised aluminium | The anodised edge resists scratches, corrosion and fingerprints and holds a wide panel flat, while the satin finish keeps glare off the cork. |
| Frame Colour | Satin silver | A crisp silver border frames the warm natural cork and keeps a large board looking modern and tidy in studios and galleries. |
| Orientation | Portrait or landscape | The rectangular board hangs tall or wide, so it fits a long studio wall, a gallery run or the space above a workbench. |
| Display Method | Push pins | Push pins press into the dense cork and hold cards, photos and notes firmly, lifting out cleanly so a display changes in seconds by hand. |
| Fixings | Concealed corner fixings | Hidden corner fittings under snap-on covers mount the board with no visible screws, and the wall fixing kit is supplied in the box. |
| Material | Natural cork | A renewable, naturally sourced surface that warms a large wall and resists marking through constant pinning, set in a recyclable aluminium frame. |
| Pin Holding | Full-depth grip | Dense cork grips the whole shaft of a pin, so heavier laminated sheets hang straight and stay put rather than balancing on one shallow point. |
| Environment | Indoor use | Made for interior walls in studios, galleries and colleges, away from damp and weather that would spoil natural cork over time. |
| Surface Life | Self-renewing | Built for repeated pinning, the cork closes each hole as the pin is removed, so the face stays even through years of heavy display use. |
| Returns | 28 days | Send any unused board back within 28 days in its original packaging for a simple, straightforward refund with no fuss or restocking charge. |
Delivery & Returns
Free delivery on every order, no minimum spend
UK Mainland standard delivery included on everything we sell.
Standard
Free
Always included, no minimum order
Express
£9.95
Express options shown at checkout where available
Lead time
2 to 3 days
Working days, UK Mainland
Returns
28 days
Original condition and packaging
Good to know
- Orders before 4pm typically ship the same day
- Tracking email sent on dispatch
- Ground-floor, accessible delivery point
Returns must be unused and in original packaging. Full delivery information · Returns policy
FAQs
Frequently Asked Questions About This Cork Noticeboard
Q: What is the best large cork noticeboard for a design studio?
A: The 2400 x 1200mm cork board is the largest Displaysense makes, which suits a working studio wall. One continuous surface lays a whole project out at once, the self-healing cork takes the constant pinning of live work without marking, and push pins grip firmly in the dense surface.
Q: How does cork close its own pin holes?
A: Cork is built from millions of tiny sealed cells with elastic walls. A pin spreads those cells as it enters, and once it is pulled they flex back toward shape and draw the hole almost shut. Over hundreds of changes the surface stays even and natural-looking rather than collecting visible punctures.
Q: Will a cork board this large stay flat on the wall?
A: Yes. The satin anodised aluminium frame carries the full 2400mm span and holds the cork panel true, so it does not sag or bow along its length. Anodising grows the finish into the metal, so a knocked corner stays sound, and the rigid edge keeps a large board square for years of use.
Q: How are notices fixed to this cork noticeboard?
A: Pins are all that is needed. Pushed into the dense cork they hold cards, photos and laminated sheets firmly along their full depth, then lift out cleanly by hand. A wide display can be rearranged in moments with nothing but a pot of pins, and no tools, tape or adhesive at any point.
Q: Is this cork board suitable for a gallery or exhibition space?
A: Yes. Galleries and exhibition spaces use it for interpretation, visitor notes and changing displays, and the warm natural surface sits quietly beside the exhibits. Its width carries a full show in one piece, while the slim silver frame keeps a large board neat without pulling the eye from the work.
Q: Can the board be mounted portrait or landscape?
A: Yes, either way. As a plain rectangle the cork board shows the same display upright or on its side, so the wall sets the orientation. Landscape runs a long display along a studio or gallery wall, while portrait fits a tall, narrow stretch, and the usable area stays the same.
Q: How big is this cork noticeboard?
A: It measures 2400 x 1200mm, the largest cork board in the range. That gives a studio, gallery or college wall one continuous natural surface for a full project or show, rather than several smaller boards with gaps between them. At this size two people will find it easiest to lift and position.
Q: Should I choose this cork board or the red felt board at this size?
A: Both are 2400 x 1200mm in the same satin aluminium frame, so it is a question of surface. NBA1224C in cork heals over its pin holes and suits a wall re-pinned constantly or a space that wants a warm, natural face. The red felt NBA1224R adds staple-holding and a bold colour for high-visibility notices. Choose cork for heavy pinning, felt for staples and impact.
Q: Why pick cork over a felt surface for a busy display wall?
A: Cork repairs itself and felt does not. A pin hole in cork eases shut as the pin is pulled, so the face keeps looking fresh however often a display turns over, while felt slowly records each pin. Cork also grips a pin along its full depth and lends a large wall a warmer, more natural character than a flat colour.
Q: Is the cork hard-wearing enough for years of heavy use?
A: Yes, in normal indoor use. Self-healing cork is built for repeated pinning, closing each hole as the pin leaves so even a constantly worked wall keeps an even face for years. Kept indoors and away from damp, both the cork surface and the satin aluminium frame hold their look for the long term.
Q: Does this cork noticeboard come with free UK delivery?
A: Yes, and there is no minimum order. Delivery to the UK mainland is free, with 28 days to return anything unused for a clean refund. Displaysense has supplied studios, galleries and colleges across the UK as a display specialist since 1978.
Q: Can I get this board in other surfaces and sizes?
A: Yes. At 2400 x 1200mm the same frame holds a felt face in red, blue, green or grey, and natural cork runs in other sizes from 900 x 600mm upward. Every board shares the satin aluminium frame, so cork, felt and different sizes can be mixed across one wall or a whole space.
Knowledge Hub
Noticeboard Knowledge Hub
A large cork board earns its keep when it is matched to a genuinely busy, creative space and the display is kept fresh rather than left to crowd. These Displaysense guides cover choosing the right board for a room, planning display across studios, schools and offices, and siting notices where people actually stop and read them.
Cork Noticeboard with Aluminium Frame - 1200 x 2400mm
| Quantity | Discount | Save |
|---|---|---|
| 1 - 4 | 0% off | £0.00 |
| 5 - 9 | 3% off | £3.72 |
| 10 + | 5% off | £6.20 |
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Overview
Description
Specifications
Delivery & Returns
FAQs
Knowledge Hub
The Largest Cork Noticeboard for a Full Working Wall
Give a busy studio the biggest natural pinning surface there is, and the wall stops limiting what can go up. This is the largest cork board Displaysense makes, a single sweep of natural cork broad enough to hold a whole exhibition, a complete project or an entire group's work side by side with room to spare. Cork's habit of closing its own pin holes means a surface this size can be torn down and rebuilt as often as the work demands without ever looking punished, where a fabric board would slowly show every pin. The warm, flecked face brings a softer, more natural note to a big wall than paint or print, and a slim satin silver frame keeps all that scale looking considered. Best suited for design studios, galleries and art colleges where a large wall is pinned and re-pinned constantly and still has to look the part. At a scale this large, a surface that shrugs off endless change is what keeps the wall looking cared for.
Why Studios and Galleries Choose This Extra-Large Cork Noticeboard
- The Biggest Cork Wall in the Range: Broad enough to fill a long wall in one piece, this board hands a studio or gallery a complete natural surface for a whole show or project at once, instead of breaking the work across a line of smaller boards with gaps running between them.
- A Whole Exhibition on One Face: Laid across a single continuous surface, a full display reads as one piece with no frame cutting through the middle, so the eye travels the wall end to end and nothing slips out of view in a join between two separate panels.
- Closes Its Own Pin Holes: Push a pin into the natural cork and it takes it cleanly, then the surface eases shut behind it once it is pulled, so a face changed day after day stays even and unmarked where a woven board would gather every puncture ever made in it.
- A Pin Held Full-Depth: Dense cork grips the whole shaft of a pin rather than pinching at its tip, so cards, photographs and a heavier laminated sheet all hang straight and stay put, steady through the constant handling a working wall sees across a day.
- A Warm, Renewable Surface: Stripped from the bark of living oak that simply grows it back, cork is a naturally renewable face as well as a hard-wearing one, lending a studio or gallery the warmth of a real material in place of a printed or plastic-faced board.
- Framed Without the Bulk: A slim satin anodised aluminium edge draws a crisp silver line around the warm cork centre and holds a panel this large flat, its low sheen keeping bright gallery or studio lighting from glaring back off the surface.
Where This Oversized Cork Display Board Proves Its Worth
| Large Design and Creative Studios | Working walls of mood boards, sketches and reference get pinned, pulled and reordered all day in a busy studio, and a surface this large lets a whole team lay a project out in full while the cork heals over every hole rather than filling with the marks live work would leave. |
| Galleries and Exhibition Spaces | Interpretation, visitor notes and changing displays sit comfortably on a warm cork wall in a gallery, the natural surface settling in beside the exhibits, the slim silver frame staying neat, and the sheer width carrying a full show without crowding the room. |
| Art Colleges and University Studios | Crit walls and project displays in an art college are pinned and stripped through every term, and a board this large shows a whole cohort's work together, the self-healing cork taking that heavy, constant turnover without the surface ever looking worn. |
| Makerspaces and Workshops | Plans, safety notes and reference pin up and come down constantly in a makerspace or workshop, and the dense cork grips a pin firmly through it all, holding everything from a wiring diagram to a parts list flat and steady above a busy bench. |
| Museums and Visitor Centres | Notices, trails and seasonal information go up on the cork board in a museum or visitor centre on a warm, understated surface, the natural face sitting quietly alongside displays and the large area holding a full set of public information in one place. |
| Large Staff Rooms and Common Rooms | Bigger teams fill a staff room or common room wall quickly, and a wide cork board gathers a full week of rotas, notices and social news into one warm, readable place that feels less corporate than a coloured board and never marks under constant pinning. |
Need a Colour, or Less Wall?
After a colour and a staple-friendly face, or a more compact board? This size also comes as a red felt noticeboard, and the cork runs in a smaller cork noticeboard for a tighter wall. Call 01279 460460 or describe the space through the contact page and we will help you match surface to size.
Most boards built at this size are a flat field of paint or woven fabric, and this one is a different thing entirely, a whole wall of natural cork. That matters first for how it looks, because the warm, lightly flecked surface brings a softness to a large expanse that a manufactured board never quite manages, giving a studio or gallery a wall with character of its own rather than a blank slab to fill. It matters just as much for how it wears, since cork is stripped from the bark of living oak that simply grows it back, making the surface renewable as well as hard-wearing. A real material of this kind settles into a space rather than merely ageing in it, and on a wall people stand close to and handle all day, that natural quality is felt as much as seen. For a space whose identity rests on materials and making, a wall that is itself a real material rather than a printed imitation belongs in a way a manufactured board never quite could.
What lets a surface this large survive constant use is cork's knack of closing its own pin holes. The grain is soft and full of air, so a pin spreads it apart on the way in, and once the pin is gone the grain eases back over the gap and leaves little trace of where it sat. Across a season of changing shows or a full term of crits, that keeps a heavily worked face looking whole instead of slowly filling with the punctures a stiffer board would collect. It is the single reason a cork wall of this scale still looks deliberate after a year of hard use, where a felt or printed surface of the same age has begun to look tired and pock-marked. The bigger the board, the more that difference tells, since there is simply more surface to mark.
In daily use the board asks for nothing beyond a pot of pins. Dense cork grips a pin down its full depth rather than pinching at the tip alone, so a heavy laminated sheet hangs dead straight and a row of small cards holds its line instead of drifting down the wall as the day wears on. Each pin lifts away cleanly by hand when a display moves on, which keeps a wide, fast-changing surface quick to clear and rebuild between projects. No tape, adhesive pad or tool comes into it at any stage, so a wall shared across a whole studio stays simple for anyone to keep current, with a pot of pins on a shelf the only thing it ever needs restocking.
Around that warm centre runs a slim satin anodised aluminium frame, there to hold a broad panel flat and draw a crisp edge rather than to draw the eye. Anodising hardens the silver into the metal itself, so a corner clipped while the board is carried or hung will not flake or fade to a dull grey over time. Its low sheen is deliberate too, settling gallery and studio lighting on the frame instead of letting it glance off into the work on show. The board mounts through concealed corner fittings tucked under snap-on caps, leaving the cork face unbroken by visible screws once it is squared away on the wall, and everything needed to fix it travels in the box.
What Ships with This Board
- 1 x large natural cork noticeboard, self-healing cork display face set in a satin silver anodised aluminium frame
- 1 x wall fixing kit, corner fixings concealed beneath snap-on covers
Fitting Out a Studio or Gallery?
Covering several walls or a long run at once? The same frame takes a felt face in red, blue, green or grey, and the cork runs in further sizes, ready to leave together on one order. Call 01279 460460 or list what the space needs on the contact page and the team will pull it together.
Full technical specification for the 2400mm x 1200mm natural cork noticeboard with its satin anodised aluminium frame. The largest cork board in the range, with a self-healing surface made for push pins, concealed corner fixings beneath snap-on covers and a complete wall fixing kit as standard, mounting in portrait or landscape for a warm, hard-wearing indoor display across large design studios, galleries and exhibition spaces, art colleges, makerspaces and museums.
| Specification | Detail | What This Means for You |
|---|---|---|
| Surface | Natural self-healing cork | Cork takes a push pin anywhere and closes the hole as it comes out, so a large board changed daily keeps an even face instead of marking over time. |
| Board Size | 2400mm x 1200mm | The largest cork board in the range gives a complete working wall that holds a whole show or project in one piece rather than across several boards. |
| Frame | Satin anodised aluminium | The anodised edge resists scratches, corrosion and fingerprints and holds a wide panel flat, while the satin finish keeps glare off the cork. |
| Frame Colour | Satin silver | A crisp silver border frames the warm natural cork and keeps a large board looking modern and tidy in studios and galleries. |
| Orientation | Portrait or landscape | The rectangular board hangs tall or wide, so it fits a long studio wall, a gallery run or the space above a workbench. |
| Display Method | Push pins | Push pins press into the dense cork and hold cards, photos and notes firmly, lifting out cleanly so a display changes in seconds by hand. |
| Fixings | Concealed corner fixings | Hidden corner fittings under snap-on covers mount the board with no visible screws, and the wall fixing kit is supplied in the box. |
| Material | Natural cork | A renewable, naturally sourced surface that warms a large wall and resists marking through constant pinning, set in a recyclable aluminium frame. |
| Pin Holding | Full-depth grip | Dense cork grips the whole shaft of a pin, so heavier laminated sheets hang straight and stay put rather than balancing on one shallow point. |
| Environment | Indoor use | Made for interior walls in studios, galleries and colleges, away from damp and weather that would spoil natural cork over time. |
| Surface Life | Self-renewing | Built for repeated pinning, the cork closes each hole as the pin is removed, so the face stays even through years of heavy display use. |
| Returns | 28 days | Send any unused board back within 28 days in its original packaging for a simple, straightforward refund with no fuss or restocking charge. |
Free delivery on every order, no minimum spend
UK Mainland standard delivery included on everything we sell.
Standard
Free
Always included, no minimum order
Express
£9.95
Express options shown at checkout where available
Lead time
2 to 3 days
Working days, UK Mainland
Returns
28 days
Original condition and packaging
Good to know
- Orders before 4pm typically ship the same day
- Tracking email sent on dispatch
- Ground-floor, accessible delivery point
Returns must be unused and in original packaging. Full delivery information · Returns policy
Frequently Asked Questions About This Cork Noticeboard
Q: What is the best large cork noticeboard for a design studio?
A: The 2400 x 1200mm cork board is the largest Displaysense makes, which suits a working studio wall. One continuous surface lays a whole project out at once, the self-healing cork takes the constant pinning of live work without marking, and push pins grip firmly in the dense surface.
Q: How does cork close its own pin holes?
A: Cork is built from millions of tiny sealed cells with elastic walls. A pin spreads those cells as it enters, and once it is pulled they flex back toward shape and draw the hole almost shut. Over hundreds of changes the surface stays even and natural-looking rather than collecting visible punctures.
Q: Will a cork board this large stay flat on the wall?
A: Yes. The satin anodised aluminium frame carries the full 2400mm span and holds the cork panel true, so it does not sag or bow along its length. Anodising grows the finish into the metal, so a knocked corner stays sound, and the rigid edge keeps a large board square for years of use.
Q: How are notices fixed to this cork noticeboard?
A: Pins are all that is needed. Pushed into the dense cork they hold cards, photos and laminated sheets firmly along their full depth, then lift out cleanly by hand. A wide display can be rearranged in moments with nothing but a pot of pins, and no tools, tape or adhesive at any point.
Q: Is this cork board suitable for a gallery or exhibition space?
A: Yes. Galleries and exhibition spaces use it for interpretation, visitor notes and changing displays, and the warm natural surface sits quietly beside the exhibits. Its width carries a full show in one piece, while the slim silver frame keeps a large board neat without pulling the eye from the work.
Q: Can the board be mounted portrait or landscape?
A: Yes, either way. As a plain rectangle the cork board shows the same display upright or on its side, so the wall sets the orientation. Landscape runs a long display along a studio or gallery wall, while portrait fits a tall, narrow stretch, and the usable area stays the same.
Q: How big is this cork noticeboard?
A: It measures 2400 x 1200mm, the largest cork board in the range. That gives a studio, gallery or college wall one continuous natural surface for a full project or show, rather than several smaller boards with gaps between them. At this size two people will find it easiest to lift and position.
Q: Should I choose this cork board or the red felt board at this size?
A: Both are 2400 x 1200mm in the same satin aluminium frame, so it is a question of surface. NBA1224C in cork heals over its pin holes and suits a wall re-pinned constantly or a space that wants a warm, natural face. The red felt NBA1224R adds staple-holding and a bold colour for high-visibility notices. Choose cork for heavy pinning, felt for staples and impact.
Q: Why pick cork over a felt surface for a busy display wall?
A: Cork repairs itself and felt does not. A pin hole in cork eases shut as the pin is pulled, so the face keeps looking fresh however often a display turns over, while felt slowly records each pin. Cork also grips a pin along its full depth and lends a large wall a warmer, more natural character than a flat colour.
Q: Is the cork hard-wearing enough for years of heavy use?
A: Yes, in normal indoor use. Self-healing cork is built for repeated pinning, closing each hole as the pin leaves so even a constantly worked wall keeps an even face for years. Kept indoors and away from damp, both the cork surface and the satin aluminium frame hold their look for the long term.
Q: Does this cork noticeboard come with free UK delivery?
A: Yes, and there is no minimum order. Delivery to the UK mainland is free, with 28 days to return anything unused for a clean refund. Displaysense has supplied studios, galleries and colleges across the UK as a display specialist since 1978.
Q: Can I get this board in other surfaces and sizes?
A: Yes. At 2400 x 1200mm the same frame holds a felt face in red, blue, green or grey, and natural cork runs in other sizes from 900 x 600mm upward. Every board shares the satin aluminium frame, so cork, felt and different sizes can be mixed across one wall or a whole space.
Noticeboard Knowledge Hub
A large cork board earns its keep when it is matched to a genuinely busy, creative space and the display is kept fresh rather than left to crowd. These Displaysense guides cover choosing the right board for a room, planning display across studios, schools and offices, and siting notices where people actually stop and read them.
Overview
The Largest Cork Noticeboard for a Full Working Wall
Give a busy studio the biggest natural pinning surface there is, and the wall stops limiting what can go up. This is the largest cork board Displaysense makes, a single sweep of natural cork broad enough to hold a whole exhibition, a complete project or an entire group's work side by side with room to spare. Cork's habit of closing its own pin holes means a surface this size can be torn down and rebuilt as often as the work demands without ever looking punished, where a fabric board would slowly show every pin. The warm, flecked face brings a softer, more natural note to a big wall than paint or print, and a slim satin silver frame keeps all that scale looking considered. Best suited for design studios, galleries and art colleges where a large wall is pinned and re-pinned constantly and still has to look the part. At a scale this large, a surface that shrugs off endless change is what keeps the wall looking cared for.
Why Studios and Galleries Choose This Extra-Large Cork Noticeboard
- The Biggest Cork Wall in the Range: Broad enough to fill a long wall in one piece, this board hands a studio or gallery a complete natural surface for a whole show or project at once, instead of breaking the work across a line of smaller boards with gaps running between them.
- A Whole Exhibition on One Face: Laid across a single continuous surface, a full display reads as one piece with no frame cutting through the middle, so the eye travels the wall end to end and nothing slips out of view in a join between two separate panels.
- Closes Its Own Pin Holes: Push a pin into the natural cork and it takes it cleanly, then the surface eases shut behind it once it is pulled, so a face changed day after day stays even and unmarked where a woven board would gather every puncture ever made in it.
- A Pin Held Full-Depth: Dense cork grips the whole shaft of a pin rather than pinching at its tip, so cards, photographs and a heavier laminated sheet all hang straight and stay put, steady through the constant handling a working wall sees across a day.
- A Warm, Renewable Surface: Stripped from the bark of living oak that simply grows it back, cork is a naturally renewable face as well as a hard-wearing one, lending a studio or gallery the warmth of a real material in place of a printed or plastic-faced board.
- Framed Without the Bulk: A slim satin anodised aluminium edge draws a crisp silver line around the warm cork centre and holds a panel this large flat, its low sheen keeping bright gallery or studio lighting from glaring back off the surface.
Where This Oversized Cork Display Board Proves Its Worth
| Large Design and Creative Studios | Working walls of mood boards, sketches and reference get pinned, pulled and reordered all day in a busy studio, and a surface this large lets a whole team lay a project out in full while the cork heals over every hole rather than filling with the marks live work would leave. |
| Galleries and Exhibition Spaces | Interpretation, visitor notes and changing displays sit comfortably on a warm cork wall in a gallery, the natural surface settling in beside the exhibits, the slim silver frame staying neat, and the sheer width carrying a full show without crowding the room. |
| Art Colleges and University Studios | Crit walls and project displays in an art college are pinned and stripped through every term, and a board this large shows a whole cohort's work together, the self-healing cork taking that heavy, constant turnover without the surface ever looking worn. |
| Makerspaces and Workshops | Plans, safety notes and reference pin up and come down constantly in a makerspace or workshop, and the dense cork grips a pin firmly through it all, holding everything from a wiring diagram to a parts list flat and steady above a busy bench. |
| Museums and Visitor Centres | Notices, trails and seasonal information go up on the cork board in a museum or visitor centre on a warm, understated surface, the natural face sitting quietly alongside displays and the large area holding a full set of public information in one place. |
| Large Staff Rooms and Common Rooms | Bigger teams fill a staff room or common room wall quickly, and a wide cork board gathers a full week of rotas, notices and social news into one warm, readable place that feels less corporate than a coloured board and never marks under constant pinning. |
Need a Colour, or Less Wall?
After a colour and a staple-friendly face, or a more compact board? This size also comes as a red felt noticeboard, and the cork runs in a smaller cork noticeboard for a tighter wall. Call 01279 460460 or describe the space through the contact page and we will help you match surface to size.
Description
Most boards built at this size are a flat field of paint or woven fabric, and this one is a different thing entirely, a whole wall of natural cork. That matters first for how it looks, because the warm, lightly flecked surface brings a softness to a large expanse that a manufactured board never quite manages, giving a studio or gallery a wall with character of its own rather than a blank slab to fill. It matters just as much for how it wears, since cork is stripped from the bark of living oak that simply grows it back, making the surface renewable as well as hard-wearing. A real material of this kind settles into a space rather than merely ageing in it, and on a wall people stand close to and handle all day, that natural quality is felt as much as seen. For a space whose identity rests on materials and making, a wall that is itself a real material rather than a printed imitation belongs in a way a manufactured board never quite could.
What lets a surface this large survive constant use is cork's knack of closing its own pin holes. The grain is soft and full of air, so a pin spreads it apart on the way in, and once the pin is gone the grain eases back over the gap and leaves little trace of where it sat. Across a season of changing shows or a full term of crits, that keeps a heavily worked face looking whole instead of slowly filling with the punctures a stiffer board would collect. It is the single reason a cork wall of this scale still looks deliberate after a year of hard use, where a felt or printed surface of the same age has begun to look tired and pock-marked. The bigger the board, the more that difference tells, since there is simply more surface to mark.
In daily use the board asks for nothing beyond a pot of pins. Dense cork grips a pin down its full depth rather than pinching at the tip alone, so a heavy laminated sheet hangs dead straight and a row of small cards holds its line instead of drifting down the wall as the day wears on. Each pin lifts away cleanly by hand when a display moves on, which keeps a wide, fast-changing surface quick to clear and rebuild between projects. No tape, adhesive pad or tool comes into it at any stage, so a wall shared across a whole studio stays simple for anyone to keep current, with a pot of pins on a shelf the only thing it ever needs restocking.
Around that warm centre runs a slim satin anodised aluminium frame, there to hold a broad panel flat and draw a crisp edge rather than to draw the eye. Anodising hardens the silver into the metal itself, so a corner clipped while the board is carried or hung will not flake or fade to a dull grey over time. Its low sheen is deliberate too, settling gallery and studio lighting on the frame instead of letting it glance off into the work on show. The board mounts through concealed corner fittings tucked under snap-on caps, leaving the cork face unbroken by visible screws once it is squared away on the wall, and everything needed to fix it travels in the box.
What Ships with This Board
- 1 x large natural cork noticeboard, self-healing cork display face set in a satin silver anodised aluminium frame
- 1 x wall fixing kit, corner fixings concealed beneath snap-on covers
Fitting Out a Studio or Gallery?
Covering several walls or a long run at once? The same frame takes a felt face in red, blue, green or grey, and the cork runs in further sizes, ready to leave together on one order. Call 01279 460460 or list what the space needs on the contact page and the team will pull it together.
Specifications
Full technical specification for the 2400mm x 1200mm natural cork noticeboard with its satin anodised aluminium frame. The largest cork board in the range, with a self-healing surface made for push pins, concealed corner fixings beneath snap-on covers and a complete wall fixing kit as standard, mounting in portrait or landscape for a warm, hard-wearing indoor display across large design studios, galleries and exhibition spaces, art colleges, makerspaces and museums.
| Specification | Detail | What This Means for You |
|---|---|---|
| Surface | Natural self-healing cork | Cork takes a push pin anywhere and closes the hole as it comes out, so a large board changed daily keeps an even face instead of marking over time. |
| Board Size | 2400mm x 1200mm | The largest cork board in the range gives a complete working wall that holds a whole show or project in one piece rather than across several boards. |
| Frame | Satin anodised aluminium | The anodised edge resists scratches, corrosion and fingerprints and holds a wide panel flat, while the satin finish keeps glare off the cork. |
| Frame Colour | Satin silver | A crisp silver border frames the warm natural cork and keeps a large board looking modern and tidy in studios and galleries. |
| Orientation | Portrait or landscape | The rectangular board hangs tall or wide, so it fits a long studio wall, a gallery run or the space above a workbench. |
| Display Method | Push pins | Push pins press into the dense cork and hold cards, photos and notes firmly, lifting out cleanly so a display changes in seconds by hand. |
| Fixings | Concealed corner fixings | Hidden corner fittings under snap-on covers mount the board with no visible screws, and the wall fixing kit is supplied in the box. |
| Material | Natural cork | A renewable, naturally sourced surface that warms a large wall and resists marking through constant pinning, set in a recyclable aluminium frame. |
| Pin Holding | Full-depth grip | Dense cork grips the whole shaft of a pin, so heavier laminated sheets hang straight and stay put rather than balancing on one shallow point. |
| Environment | Indoor use | Made for interior walls in studios, galleries and colleges, away from damp and weather that would spoil natural cork over time. |
| Surface Life | Self-renewing | Built for repeated pinning, the cork closes each hole as the pin is removed, so the face stays even through years of heavy display use. |
| Returns | 28 days | Send any unused board back within 28 days in its original packaging for a simple, straightforward refund with no fuss or restocking charge. |
Delivery & Returns
Free delivery on every order, no minimum spend
UK Mainland standard delivery included on everything we sell.
Standard
Free
Always included, no minimum order
Express
£9.95
Express options shown at checkout where available
Lead time
2 to 3 days
Working days, UK Mainland
Returns
28 days
Original condition and packaging
Good to know
- Orders before 4pm typically ship the same day
- Tracking email sent on dispatch
- Ground-floor, accessible delivery point
Returns must be unused and in original packaging. Full delivery information · Returns policy
FAQs
Frequently Asked Questions About This Cork Noticeboard
Q: What is the best large cork noticeboard for a design studio?
A: The 2400 x 1200mm cork board is the largest Displaysense makes, which suits a working studio wall. One continuous surface lays a whole project out at once, the self-healing cork takes the constant pinning of live work without marking, and push pins grip firmly in the dense surface.
Q: How does cork close its own pin holes?
A: Cork is built from millions of tiny sealed cells with elastic walls. A pin spreads those cells as it enters, and once it is pulled they flex back toward shape and draw the hole almost shut. Over hundreds of changes the surface stays even and natural-looking rather than collecting visible punctures.
Q: Will a cork board this large stay flat on the wall?
A: Yes. The satin anodised aluminium frame carries the full 2400mm span and holds the cork panel true, so it does not sag or bow along its length. Anodising grows the finish into the metal, so a knocked corner stays sound, and the rigid edge keeps a large board square for years of use.
Q: How are notices fixed to this cork noticeboard?
A: Pins are all that is needed. Pushed into the dense cork they hold cards, photos and laminated sheets firmly along their full depth, then lift out cleanly by hand. A wide display can be rearranged in moments with nothing but a pot of pins, and no tools, tape or adhesive at any point.
Q: Is this cork board suitable for a gallery or exhibition space?
A: Yes. Galleries and exhibition spaces use it for interpretation, visitor notes and changing displays, and the warm natural surface sits quietly beside the exhibits. Its width carries a full show in one piece, while the slim silver frame keeps a large board neat without pulling the eye from the work.
Q: Can the board be mounted portrait or landscape?
A: Yes, either way. As a plain rectangle the cork board shows the same display upright or on its side, so the wall sets the orientation. Landscape runs a long display along a studio or gallery wall, while portrait fits a tall, narrow stretch, and the usable area stays the same.
Q: How big is this cork noticeboard?
A: It measures 2400 x 1200mm, the largest cork board in the range. That gives a studio, gallery or college wall one continuous natural surface for a full project or show, rather than several smaller boards with gaps between them. At this size two people will find it easiest to lift and position.
Q: Should I choose this cork board or the red felt board at this size?
A: Both are 2400 x 1200mm in the same satin aluminium frame, so it is a question of surface. NBA1224C in cork heals over its pin holes and suits a wall re-pinned constantly or a space that wants a warm, natural face. The red felt NBA1224R adds staple-holding and a bold colour for high-visibility notices. Choose cork for heavy pinning, felt for staples and impact.
Q: Why pick cork over a felt surface for a busy display wall?
A: Cork repairs itself and felt does not. A pin hole in cork eases shut as the pin is pulled, so the face keeps looking fresh however often a display turns over, while felt slowly records each pin. Cork also grips a pin along its full depth and lends a large wall a warmer, more natural character than a flat colour.
Q: Is the cork hard-wearing enough for years of heavy use?
A: Yes, in normal indoor use. Self-healing cork is built for repeated pinning, closing each hole as the pin leaves so even a constantly worked wall keeps an even face for years. Kept indoors and away from damp, both the cork surface and the satin aluminium frame hold their look for the long term.
Q: Does this cork noticeboard come with free UK delivery?
A: Yes, and there is no minimum order. Delivery to the UK mainland is free, with 28 days to return anything unused for a clean refund. Displaysense has supplied studios, galleries and colleges across the UK as a display specialist since 1978.
Q: Can I get this board in other surfaces and sizes?
A: Yes. At 2400 x 1200mm the same frame holds a felt face in red, blue, green or grey, and natural cork runs in other sizes from 900 x 600mm upward. Every board shares the satin aluminium frame, so cork, felt and different sizes can be mixed across one wall or a whole space.
Knowledge Hub
Noticeboard Knowledge Hub
A large cork board earns its keep when it is matched to a genuinely busy, creative space and the display is kept fresh rather than left to crowd. These Displaysense guides cover choosing the right board for a room, planning display across studios, schools and offices, and siting notices where people actually stop and read them.
